- Although texts crosswise  meter have portrayed women in   drop anchor of a  duality  amidst good and bad, it is   oftentimes unclear exactly how composers feel about that dichotomy.  To what extent  atomic number 18 the composers of the texts you have studied ambivalent towards their  pistillate characters? -   Many texts across time have portrayed their women in terms of a dichotomy between good and bad, or  stark(a) and  malicious. However, it is frequently unclear how the composers feel about that dichotomy, and the women can be seen as both good and bad, depending on the opinions of each   hidden reader. This blurring of the line separating the good and bad women is evident in examples   much(prenominal) as  actors assistant  intermediate by William Makepeace Thackeray, The Taming of the Shrew by William Shakespeare, and Sense and Sensibility by Jane Austen.  Out of those three texts, William Makepeace Thackerays  actors assistant Fair stands out as the strongest example of a c   omposers  ambivalency towards their  pistillate person characters. In  bureau Fair, Thackeray often remarks about his female characters, or having other characters comment on them. The dichotomy between virtuous and vixenish is most unclear regarding the main female characters of the novel, Becky  disconnected and Amelia Sedley.  Becky Sharp, compared to Amelia Sedley, is portrayed as the bad woman.

 She speaks her mind, she is not  panicky of men, and she does   somewhat(prenominal) she has to do to climb up the social ladder of Vanity Fair, e.g. flirting with men in front of her husband Rawdon, to   trespass on stat   us. She uses people if she sees fit, such as!    ingratiating herself with the Sedleys,  larceny Amelias jewellery, and  exit when she sees that she has no chance marrying Jos Sedley, but not  sooner she has gotten some money from the sympathetic Mr. Sedley using her status as an orphan...                                        If you  compulsion to get a full essay, order it on our website: 
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